Photo
enola-gay:

Otto Dix, Portrait od Dr Heinrich Stadelmann, 1922

enola-gay:

Otto Dix, Portrait od Dr Heinrich Stadelmann, 1922

(via grizzpit)

Photo
nellavig:

Giuseppe Cristiano

nellavig:

Giuseppe Cristiano

(via rita--lin)

Photoset
Video

umanesimo:

You gentlemen who think you have a mission
To purge us of the seven deadly sins
Should first sort out the basic food position
Then start your preaching, that’s where it begins

You lot, who preach restraint and watch your waist as well
Should learn, for once, the way the world is run
However much you twist, or whatever lies that you tell
Food is the first thing, morals follow on

So first make sure that those who are now starving
get proper helpings, when we all start carving
What keeps mankind alive?

What keeps mankind alive? The fact that millions
are daily tortured, stifled, punished, silenced and oppressed
Mankind can keep alive thanks to its brilliance
in keeping its humanity repressed
And for once you must try not to shirk the facts
Mankind is kept alive
by bestial acts!

Original words by Bertolt Brecht
Music by Kurt Weill

What Keeps Mankind Alive - William S. Burroughs
via

(via ogginiente)

Photo
brianmichaelbendis:

Vincent Price by Charles Burns

brianmichaelbendis:

Vincent Price by Charles Burns

(Fonte: comicblah)

Photo
lareginazabo:

Julio
Video

brianmichaelbendis:

Alan Moore gives you writing tips. I love his open lines here…

(Fonte: youtube.com)

Photo
Photo

“This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her.  She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted. 
Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly.  “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”
This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances.” 
This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.”
this is why performance art is important

“This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her.  She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted. 

Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly.  “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”

This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances.”

This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.”

this is why performance art is important

(Fonte: andrewfishman, via emmanuelnegro)

Quote
"Allora ho pensato che forse stavo facendo l’errore giusto e ho cominciato a correre."

David Grossman, Che tu sia per me il coltello (via luomocheleggevalibri)